You can see some noise appear on the GH5 and quite a bit is evident on the 1DX II, but there is none (really, none visible at all) on the GH5S. What I'm saying is, unless you're doing really high level color grading and post production, you probably won't notice a difference in most circumstances. There is no perfect capture device. Thus, videographers wanting stable handheld footage with their GH5S will need to invest in extra equipment or make sure to use Lumix lenses with optical image stabilization which can't correct for roll. “At both 12,800 and 25,600, the GH5S looks slightly better than the A7S II at the same ISOs, which is both unexpected and subjectively highly impressive for a camera featuring a sensor that is a fraction the size of the other. You easily get two more stops over the standard GH5 and, I would say, it is usable up to ISO 12800, and potentially even ISO 25600 if you need it. Finally, Panasonic has developed plenty of accessories for the GH5S, so let’s talk about the video-specific ones. While both the cameras feature a Four Thirds sensors, the Panasonic GH5 has a 20.0 MP while the newer Panasonic GH5S has a 10.0 MP resolution. And when we say "much better" low-light capture, in particular, we mean it. In low light, the autofocus in Live View took 0.12 seconds, for a total shooting time of 0.19 seconds. In all cases, raw buffer depth is 80 frames and JPEG buffer depths as deep as 600 frames when using a UHS-II U3 compliant flash card. The uncommonly low-resolution sensor here allows for a really large individual pixel size, which makes for much improved low-light and high ISO performance. 04/02/2018: Gallery Images posted I think that if you are looking to buy a mirrorless solely for its video prowess, it’ll be hard to not include the GH5S on your list. Honestly, video from the GH5 actually looks better than the 1DX II, but the GH5S is on a whole other level. In the end, if you're a serious video creator or a professional looking for a feature-packed video camera inside a small, SLR-styled body, the Panasonic GH5S is the one to pick. Overall, between the Pocket 4K and the GH5 I prefer the Blackmagic Pocket Cinema Camera 4K (Amazon, B&H) for two important reasons: Better colors across ISOs; Cleaner image overall; However, dynamic range is similar. Firstly and more obviously, the IS system itself can make noise that could potentially be picked up on your mics, disrupting your audio track. It's not a replacement for the GH5, but an enhancement. Last updated: 06/21/2019, Table of Contents: The new sensor design has given the Panasonic GH5s exceptional low light performance that challenges even the Sony a7s II, in a smaller sensor size. It's really quite excellent. But the GH5S just looks...better. The Panasonic GH5S retail package (as reviewed) contains the following items: Note: Given the more specialized, video-centric nature of the this camera and its lower-res sensor, the GH5S did not undergo our full laboratory testing treatment for still images. Originally we claimed the GH5S performed better at high ISOs than did the A7S II, but that was based on incorrectly comparing resampled still images from the A7S II with 4K video frame grabs from the GH5S. Is it more important to have good ISO and IBIS, or excellent ISO and no IBIS? To minimize the effect of different lens' focusing speed, we test AF-active shutter lag with the lens already set to the correct focal distance. But if you opt instead for the GH5S, you will find that its much broader sensitivity range and lower noise levels allow you to use a higher sensitivity to achieve a faster shutter speed in the first place, so perhaps stabilization won't be needed as often. Lens stabilization still works, so you have options if you absolutely need them. The Panasonic GH5S' autofocus speed was pretty good in our tests, especially for a camera that uses contrast detection only, though not quite as fast as the GH5's. Though the GH5S performs extremely well and even hangs with the A7S II up until ISO 6400, the Sony begins to pull away after that. But where you will see current GH5 owners draw the line is losing the in-body stabilization. We close every Friday evening to Saturday evening for Shabbos. Even when you do, the GH5S will still do many tasks better than those high-end cameras. 12,800 is the max video ISO for the 1DX II, and same for the GH5. In order to achieve vastly improved sensitivity, Panasonic dropped the resolution down to just 10.2 megapixels with what they call their Digital MOS Sensor with Dual Native ISO Technology, paired to a Venus Engine 10 image processor. The GH5S has a large LVF (Live View Finder) with a stunningly high magnification ratio of approximately 1.52x/0.76x (35mm camera equivalent) providing smooth display at 120 fps. And as a video camera, the GH5S most assuredly excels. However, when it comes to video, the GH5S produces fantastic video quality, especially as you climb into the higher ISOs. Because it's one thing to upset the people who just bought the GH5 less than a year ago by introducing one that's better, but it's another to force those same people to buy two cameras instead of one. The overall body shape, grip design, handling characteristics and external features are the same between these two cameras. At the other end of the scale, base sensitivity is ISO 160 and is expandable to ISO 80. Not only is the ISO range extended from ISO 200 – 12,800 on the Panasonic GH5 to ISO 80 – 204,800, it’s able to do it with two different native ISOs, allowing for cleaner files.” The GH5 has a single native ISO of 400. The lower of the pair equates to ISO 400 ordinarily (ISO 800 for V-LogL or HLG capture), and the higher equates to ISO 2500 ordinarily (ISO 5000 for V-LogL or HLG). Sometimes it's better to have some footage than no footage, and in those cases you can rely on the GH5S to pretty much see in the dark. What I'm saying is, Panasonic has done truly marvelous things with such a small, inexpensive body that it's hard to recommend anything short of a high-end cinema camera over the GH5S. The GH5S isn't perfect, though, and perhaps its most glaring omission is the lack of in-body image stabilization (IBIS). I'm not sure what the actual crop factor is at this time, but just know that it is indeed wider. But where its predecessor tipped the scales at 25.6 ounces (725g) loaded and ready to shoot (but without a lens), the GH5S weighs in at just 23.3 ounces (660g). And for the earlier camera, that was it, but the GH5S will now continue on up to ISO 204,800 if you enable its extended sensitivity range. by Mike Tomkins, Jaron Schneider, William Brawley and Zig Weidelich And as for that issue of sensor resolution, the total pixel count is stated as 11.93 megapixels. But there are cameras that feel as though they were created with purpose, care and as though the developers not only understood what we as artists wanted, but also saw beyond our desires to craft a finished product that exceeds even the loftiest of expectations. Argue with me all you want about Canon Cinema cameras or Blackmagic equipment, there is no doubt that the GH5S can do anything those cameras could be used for either just as well or better, and for a fraction of the price. I'm very impressed with the performance at 25,600 considering it's two stops more than I can achieve with either the 1DX II or the GH5. And that isn’t the only body change that is helpful to pro video capture. One thing I will ding the GH5S for is the menu system. And we're not joking when we say that this camera will pretty much focus in the dark. 10-bit recording is a revolutionary feature for video in mirrorless cameras. The Continuous High Speed "H" mode burst rate was excellent at 11.7 frames per second for best quality JPEGs, just shy of Panasonic's 12 fps spec. For example, they reduced the total photo megapixel output of the sensor to 10.2MP. Not responsible for typographical or illustrative errors. Full AutofocusCenter-area AF-S mode This trend continues up until neither camera is useful. 10MP resolution is limiting for still photos; No in-body image stabilization; Slower AF than GH5; Buffer clearing could be faster; No 6K Photo features due to sensor resolution. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms NYC DCA Lic. Combined with very fast lenses and a Metabones Speed Booster, and you could say it surpasses quite a few full frame cameras and all of Canon’s, even the 1D X Mark II and 1D C (which I will compare in a later post). With a resolution of just over 10 megapixels, the GH5S will definitely lag someway behind the GH5 when it comes to fine detail capture for still imaging under good light. Though it maintains the same exterior design and handling of the the GH5, which is arguably still a photo-centric camera (despite its healthy video feature set) the GH5S is simply a video camera first and foremost. Time to capture, after half-pressing and holding shutter button. It offers a range of 160 to 51200 ISO with extended values down to 80 and up to 204800 ISO. Unleash its full capability by combining it with the Atomos Ninja Inferno 4K monitor / recorder - recording up to DCI 4Kp60 10-bit 4:2:2 over HDMI 2.0 directly into production-ready Apple ProRes or Avid DNxHR on SSD drives. Time it takes to turn on and capture a shot. You may have noticed that I didn't list a specific sensor resolution just now, incidentally, and simply averred that it was above the ten megapixel mark. Unveiled at CES 2018 today, the GH5S … Additionally, the GH5S offers so much to just about everyone looking to capture video that it outclasses anything priced under $10,000 in sheer imaging potential for a lowly $2500. Time per shot, averaged over buffer length of 138 frames, then slows to an average of 0.17s or 5.8 fps with a lot of variation. The main thing that strikes me about the current 24 megapixel full frame sensors is they are CLEAN. Available-light stills shooters, astrophotographers and the like will likely also be interested despite the lower resolution versus the GH5. If you want 10-bit 4:2:2 footage, you'll need to stay at rates of 30 fps or below. Working with V-LogL—which comes standard—the GH5S boasts an incredible dynamic range for a mirrorless system. This means that after ISO 400, you see more and more noise as you increase the ISO. It has a new 10.2-megapixel Digital Live MOS Sensor, Venus Engine and Dual Native ISO technology, which combined together make it the most capable low-light Micro Four Thirds camera currently on the market. This means that the GH5s sensor has 2 sets of ISO circuitry, each optimized for a different range of ISO. Not so odd is that the GH5S includes a full-size HDMI port, which should be more appreciated. That's not to say the GH5S is bad. A companion model to the highly successful DC-GH5 hybrid digital single lens mirrorless camera, the GH5S incorporates a 10.2-megapixel Digital Live MOS Sensor and Venus … As befits a camera aimed at pros, no kit lenses or color options are offered. Many have considered the GH series to be relatively large, considering its sensor size and mirrorless design. Imaging Resource © 1998 - 2020. Internally, you can hit standard frame rates, but the GH5S has the distinction of having external 10-bit recording for DCI 4K at 60p. Here's the thing: The A7S II does have less noise in low light, but even then, I'd rather use the GH5s (to a point). Throughout the history of Panasonic's Micro Four Thirds Lumix cameras, they all have, by and large, been photography-centric cameras. Lower resolutions mean faster processing and less noise. Taking a page from Sony’s playbook and the a7S series, the GH5S features a conservative 10.28MP Multi-Aspect MOS sensor. (The GH5S actually managed even deeper raw buffers in our lab testing. By way of comparison, the Panasonic GH5 has a resolution of 20.3 megapixels in its native 4:3-aspect ratio, or almost double that of the GH5S. Time from fully pressing shutter button to image capture, with Panasonic Leica DG 12-60mm f/2.8-4 zoom lens at medium focal length (~50mm eq.). The Panasonic Lumix GH5S is a new flagship compact system camera aimed at professional videographers. Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Camera, Panasonic DMW-XLR1 XLR Microphone Adapter, Atomos Ninja V 5" 4K HDMI Recorder/Monitor. Panasonic has revealed its latest digital camera, the LUMIX GH5S, putting a focus on low-light performance. Next in the comparison is the Panasonic GH5S vs. the EVA1. In other words, DPR raves about low-light video with the GH5s, but I see the potential for stills too. The GH5S is, however, slightly lighter than the GH5 due to internal component changes, but the camera still features a full magnesium alloy body with weather-sealing. Here, video capture is clearly of huge importance, and an area in which this camera offers some really significant improvements over the GH5. It's straight up cheap. Sure, it's less saturated, but the size of the noise grain is much smaller than that of the GH5S, and overall the sharpness is better on the A7S II. Startup time and general responsiveness tested about the same as the GH5, and the camera's high-speed continuous burst rate of up to 12fps is the same, too. When shooting 12-bit RAWs, it actually exceeded the 12fps spec. Still, we recommend getting a second battery for your GH5S if you plan any extended outings, and consider purchasing the optional DMW-BGGH5 battery grip which can double battery life with a second battery. Some cameras refuse to snap another shot if In terms of their basic hardware, both the 3.2-inch, 3:2-aspect, 1,620k-dot LCD monitor and 3,680k-dot, 100% coverage OLED viewfinder are essentially unchanged, although the latter can now operate with a 120 fps refresh rate as in the G9, rather than being limited to 60 fps refresh as in the GH5. It easily fits into both professional and amateur videographer productions and workflows. Editor's note: This section has been updated to reflect new footage captured with the A7S II. Gen. #0907906. making "No" the preferred answer. There are, however, slight differences in autofocus performance compared to the GH5. If you're curious how 10-bit, 8-bit and ALL-I compare for post production work, it's generally agreed upon that 10-bit is going to be your best bet. However, as we noted near the outset, there's one fairly major feature subtraction compared to the GH5, which may persuade many photographers to opt for the higher-res body instead. And for the audio component of your videos, there are both 3.5mm headphone and microphone jacks as well as an onboard stereo mic with a third, hidden noise cancellation mic. (No built-in or bundled flash.). It's supposed to be a Panasonic GH camera, and as one, it is truly the best they've ever made. As if that wasn't enough, there's plenty else for video shooters besides. Sure, RED and ARRI have been making this kind of quality for some time, but those are not what I call "approachable" cameras. With Dual Native ISO, a specialized sensor design, and the full backing of Panasonic’s video history, the GH5S punches well above its weight. And the EVF still has 1.52x magnification (0.76x in 35mm-equivalent) with a 21mm eyepoint from the eyepiece, and a -4 to +3 diopter adjustment. In other words, the GH5S has decent autofocus, but it’s not going to blow you away when it comes to fast subject tracking and face detection. The Panasonic Lumix DC-GH5S is a Micro Four Thirds mirrorless interchangeable lens camera body announced and released by Panasonic in January 2018. Though from a pure image-making perspective it's superior to the GH5, losing IBIS removes part of what makes the GH5 such an excellent camera. The GH5S offers better video quality, more recording options, and just tons of advanced video features. The easiest assumption is that it had to go to make room for the larger multi-aspect sensor. I’d even argue that it could be better than many lower-end cinema cameras. 4K / 8K Arising: Panasonic today release their new GH5S mirrorless camera with amazing low light capabilities. With a 12MP Four Thirds sensor, the GH5S is, yes, a camera that can take still photos, but it is designed for video. Instead, the camera simply crops to your chosen aspect ratio within the image circle, and discards the rest of the sensor data. First found in the GH5, the GH5S just makes it all better. In order to achieve the new recording options like Cinema 4K at 60 frames per second and the new low-light performance, Panasonic had to make some sacrifices. But that doesn't mean it can't be one of the best filmmaking cameras ever made. As you can see in the tests, the results at high ISOs are close. 06/14/2018: Performance posted The $500 price bump for the "S" is absolutely worth it, and the camera is a total steal at US$2,500. Of course, it can still take still photos, but at the end of the day, the GH5S is designed for video and serious videographers. But looking below, even the shadows are hard to tell the difference among the three. So, to go one step further, Panasonic created the specialized Lumix GH5S, a video-centric GH5 that provides a number of internal components and capability changes that make it more suited to serious videographers. Buffer depths when shooting RAW files were quite generous, at 120 or 138 frames depending on bit-depth, and RAW+JPEG buffer depths were also very good, ranging between 99 and 101 frames. In this, the second field test of this camera, I want to show you what can be done in near darkness as well as how beautiful footage looks in ideal lighting. Reviewing the footage revealed that its improvements to low-light performance are not understated. Buffer capacity is essentially unlimited when shooting JPEGs (600+ frames), while RAW buffer depth is very generous (though not unlimited). (The GH5 was ISO 200 at base and ISO 100-expandable.). The email address you entered was an invalid email. Much like the GH5 before it, the Lumix GH5S sports twin SD card slots, compatible with higher-capacity SDHC and SDXC types, as well as higher-speed UHS-I, UHS-II and Video Speed Class 90 cards. Not so the GH5S. As we said earlier, there's certainly a lot to talk about on the video front. One slight change, though, is that the bundled battery charger has been changed to a new model DMW-BTC13 which attaches to a bundled USB AC adapter, but could also be connected to other USB chargers or even your computer to recharge while on the go. The GH5 is more of an all-around shooter for stills and video, and hence packs in plenty of resolution, the better to create great big, frameworthy prints. You can however take additional photos and adjust settings while the buffer is clearing. With 14-bit raws, both figures drop by one frame per second. The reason is that the Depth-from-Defocus based 225-point autofocus system's algorithms have less data to work with from the lower-resolution 10.2-megapixel sensor.
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